Lelia Naylor Morris
1862 - 1929
Methodist Episcopal
Biography
Lelia Naylor Morris (1862–1929) was an American Methodist Episcopal hymn writer and composer whose gospel songs circulated widely in revival, camp-meeting, Sunday-school, and congregational collections. Born in Pennsville, Morgan County, Ohio, she spent part of her youth in the nearby Muskingum River communities of Malta and McConnelsville. Biographical sources describe her working with her mother and sister in a millinery business before and during the years in which church music became a major part of her vocation. She married Charles H. Morris in 1881 and was frequently credited in print as Mrs. C. H. Morris or by the initials Mrs. C. H. M.
Morris and her husband were active in the Methodist Episcopal Church and in Ohio camp meetings, including gatherings associated with Sebring and Mount Vernon. She wrote both texts and tunes, and her surviving repertory includes “Nearer, Still Nearer” (1898), “Sweet Will of God” (1900), “The Fight Is On,” and “What If It Were Today?” Her work is characteristic of the late nineteenth- and early twentieth-century American gospel-song tradition: direct evangelical language, memorable refrains, and melodies intended for accessible devotional singing.
Later in life, severe loss of eyesight made ordinary notation difficult. Accounts preserved in hymnological and denominational sources describe a long blackboard with enlarged musical staves that enabled her to continue composing. That episode belongs to her later career; it should not be used as an origin story for songs securely dated before her eyesight had seriously deteriorated. Morris died in 1929, and her texts and tunes remain represented in hymnals across several Protestant traditions.
Morris and her husband were active in the Methodist Episcopal Church and in Ohio camp meetings, including gatherings associated with Sebring and Mount Vernon. She wrote both texts and tunes, and her surviving repertory includes “Nearer, Still Nearer” (1898), “Sweet Will of God” (1900), “The Fight Is On,” and “What If It Were Today?” Her work is characteristic of the late nineteenth- and early twentieth-century American gospel-song tradition: direct evangelical language, memorable refrains, and melodies intended for accessible devotional singing.
Later in life, severe loss of eyesight made ordinary notation difficult. Accounts preserved in hymnological and denominational sources describe a long blackboard with enlarged musical staves that enabled her to continue composing. That episode belongs to her later career; it should not be used as an origin story for songs securely dated before her eyesight had seriously deteriorated. Morris died in 1929, and her texts and tunes remain represented in hymnals across several Protestant traditions.
Hymns by Lelia Naylor Morris
Nearer, Still Nearer
Role: Lyricist
Of Jesus' Love That Sought Me
Role: Lyricist