This record is not a freestanding metrical hymn.
Hymns Based on Isaiah 6:3
Christian hymns and worship songs connected to Isaiah 6:3
"In the year that King Uzziah died, I saw the Lord sitting on a throne, high and lifted up; and his train filled the temple. Above him stood the seraphim. Each one had six wings. With two he covered his face. With two he covered his feet. With two he flew. One called to another, and said, “Holy, holy, holy, is Yahweh of Armies! The whole earth is full of his glory!” The foundations of the thresholds shook at the voice of him who called, and the house was filled with smoke."
— Isaiah 6:3
Theological Significance
This verse has inspired Christian hymns that explore themes of Worship, Praise, Trinity, Heavenly Worship, Reverence. Many worship songs connected to Isaiah 6:3 proclaim these timeless biblical truths and invite believers to reflect on and celebrate the message of this scripture.
Sermon Themes from This Passage
- Worship
- Praise
- Trinity
- Heavenly Worship
- Reverence
Suggested Hymns for Worship
Example Worship Flow
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1
Call to Worship Psalm 100
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2
Opening Hymn A Service of Word and Table IV, cont.
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3
Scripture Reading Isaiah 6:3
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4
Sermon Worship
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5
Reflection Hymn Come Thou Almighty King
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6
Closing Hymn Day Is Dying in the West
Hymns Inspired by This Passage
Canticle of the Holy Trinity is a responsive act of praise rather than a conventional stanzaic hymn.
Come Thou Almighty King is a compact hymn of invocation whose structure itself teaches Trinitarian worship.
Day Is Dying in the West turns sunset into a summons to worship.
God of Many Names is a late twentieth-century hymn by Brian Wren that explores how Christian worship speaks truthfully about a God who exceeds every human description.
Holy God, We Praise Thy Name is the English form of an eighteenth-century German metrical paraphrase of the Te Deum.
Holy, Holy, Holy is a compact Sanctus setting, not the longer Reginald Heber hymn that begins “Holy, Holy, Holy! Lord God Almighty!” Its text belongs to the ancient Christian acclamation rooted in Isaiah 6:3, where the seraphim proclaim God’s holiness and glory, and echoed in Revelation 4:8 around the heavenly throne.
This hymn is an act of worship before it is an explanation of doctrine.
Isaiah, Mighty Seer, in Days of Old is the familiar English form of Martin Luther’s 1526 German Sanctus, “Jesaia, dem Propheten, das geschah.
Let All Mortal Flesh Keep Silence begins not with narration but with a command: worshipers are summoned to stillness before the coming of Christ.
O Day of Rest and Gladness is Christopher Wordsworth’s hymn of praise for the Christian Lord’s Day.
“Surely the Presence of the Lord” is a short contemporary worship chorus centered on awareness of God’s nearness in gathered worship.