'Twas in the Moon of Wintertime is Jesse Edgar Middleton's 1926 English reimagining of the much older Wendat Christmas song usually called Jesous Ahatonhia or Iesous Ahatonnia.
Hymns Based on Luke 2:11
Christian hymns and worship songs connected to Luke 2:11
"For there is born to you today, in David’s city, a Savior, who is Christ the Lord."
— Luke 2:11
Theological Significance
This verse has inspired Christian hymns that explore themes of Christmas, Incarnation, Praise, Joy, Worship. Many worship songs connected to Luke 2:11 proclaim these timeless biblical truths and invite believers to reflect on and celebrate the message of this scripture.
Sermon Themes from This Passage
- Christmas
- Incarnation
- Praise
- Joy
- Worship
Suggested Hymns for Worship
Example Worship Flow
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1
Call to Worship Psalm 100
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2
Opening Hymn A Great and Mighty Wonder
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3
Scripture Reading Luke 2:11
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4
Sermon Christmas
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5
Response Hymn Break Forth, O Beauteous Heavenly Light
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6
Reflection Hymn Angels from the Realms of Glory
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7
Closing Hymn 'Twas in the Moon of Wintertime (The Huron Carol)
Hymns Inspired by This Passage
“A Great and Mighty Wonder” is a Christmas hymn in which the incarnation is treated as mystery, proclamation, and praise.
Ah, Dearest Jesus, Holy Child is not an independent German hymn but a three-stanza English extract from the conclusion of Martin Luther's Vom Himmel hoch, da komm ich her.
Angels from the Realms of Glory is James Montgomery's Christmas hymn of proclamation and adoration, first published in 1816.
Angels We Have Heard on High is an English Christmas carol shaped from the French tradition of “Les anges dans nos campagnes.
Away in a Manger is a late nineteenth-century American Christmas carol that joins a simple Nativity scene with a child's prayer for the presence and care of Jesus.
Break Forth, O Beauteous Heavenly Light is the English form of one stanza from Johann Rist's 1641 German Christmas hymn Ermuntre dich, mein schwacher Geist.
Emmanuel, Emmanuel is a compact worship chorus built around the biblical name given in Isaiah 7:14 and interpreted in Matthew 1:23 as “God with us.
Gentle Mary Laid Her Child centers the Christmas mystery on a deliberate contrast: the infant resting in a manger appears lowly and easily overlooked, yet he is the Savior, the Son of God, and the King of glory.
Go, Tell It on the Mountain joins the Christmas story to a command of proclamation.
God Is With Us Alleluia is a hymnal display title for Graham Kendrick’s The Candle Song, also known by its opening words, Like a Candle Flame.
God Rest You Merry, Gentlemen is an anonymous English Christmas carol whose enduring force comes from the way it joins consolation with salvation.
Good Christian Friends, Rejoice is a Christmas carol of concentrated gospel proclamation.
This Christmas carol is John Mason Neale's 1853 English adaptation of the medieval In dulci jubilo tradition.
He Is Born is an English-language form of the French Christmas carol Il est né, le divin Enfant.
In Bethlehem 'Neath Starlit Skies is a Christmas carol by Grace May Stutsman that turns the Nativity into a scene of wonder and praise.
Infant Holy, Infant Lowly is an English rendering of the traditional Polish Christmas carol W Żłobie Leży.
It Came upon the Midnight Clear is a Christmas hymn about hearing heaven’s announcement of peace in a world that still knows exhaustion, injustice, and conflict.
“Joy to the World” is Isaac Watts’s Christian interpretation of the closing movement of Psalm 98: a summons for the whole earth to rejoice before the Lord who comes as King and righteous judge.
Let Our Gladness Have No End is an English form of the old Czech Christmas carol Narodil se Kristus Pán.
Lo, How a Rose E'er Blooming is an English form of the German Christmas carol Es ist ein Ros entsprungen.
O Come, All Ye Faithful is a Christmas hymn of invitation and adoration.
O Holy Night is the familiar English form of a French Christmas song that joins contemplation of Christ's birth with a widening vision of hope, worship, peace, and human solidarity.
O Little Town of Bethlehem is Phillips Brooks’s Christmas carol of quiet wonder, incarnation, and prayer.
O Sing a Song of Bethlehem follows the Gospel story through four places that mark the earthly life of Jesus: Bethlehem, Nazareth, Galilee, and Calvary.
On This Day Earth Shall Ring is an English Christmas paraphrase of the medieval Latin carol Personent hodie.
Pasko Na Naman is a Filipino Christmas carol created in 1965 by composer Felipe Padilla de Leon and lyricist Levi Celerio.
People, Look East is an Advent carol of active expectancy.
Rock-a-Bye, My Dear Little Boy is Jaroslav J.
Silent Night, Holy Night has become so familiar that its quietness can obscure how distinctive it is.
Sing We Now of Christmas is an English-language Christmas carol derived from the French Noël Nouvelet tradition.
That Boy-Child of Mary is a Christmas hymn by Thomas Stevenson Colvin that asks worshipers to consider the identity of the child born at Bethlehem.
The First Noel is a traditional English carol that turns the Nativity story into a simple, memorable narrative.
There's a Song in the Air is a Christmas hymn built from a sequence of vivid images: heavenly song, a star, a mother's prayer, a baby's cry, the manger, the nations, and the newborn King.
What Child Is This is a Christmas carol by William Chatterton Dix that leads worshipers from the visible humility of Bethlehem to a confession of Jesus as Christ the King.
When Christmas Morn Is Dawning is a Scandinavian Christmas hymn that invites the worshiper to approach the Nativity with the wonder and directness of a child.
While by My Sheep I Watched at Night, also widely known through its refrain as How Great Our Joy, is an English form of the old German Christmas carol Als ich bei meinen Schafen wacht.
While Shepherds Watched Their Flocks is a close metrical paraphrase of Luke 2:8–14, following the night watch of the shepherds, the appearance of the angel, the announcement of Christ's birth, the sign of the child in the manger, and the praise of the heavenly host.
While Shepherds Watched Their Flocks By Night is unusual among familiar Christmas hymns because its strength lies not in imaginative expansion of the Nativity but in disciplined retelling.