“Abide with Me” is a prayer for Christ’s continuing presence when human supports fail, circumstances change, strength diminishes, and death draws near.
Hymns Based on 1 Corinthians 15:57
Christian hymns and worship songs connected to 1 Corinthians 15:57
"But when this perishable body will have become imperishable, and this mortal will have put on immortality, then what is written will happen: “Death is swallowed up in victory.” “Death, where is your sting? Hades, where is your victory?” The sting of death is sin, and the power of sin is the law. But thanks be to God, who gives us the victory through our Lord Jesus Christ."
— 1 Corinthians 15:57
Theological Significance
This verse has inspired Christian hymns that explore themes of Resurrection, Praise, Easter, Victory, Assurance. Many worship songs connected to 1 Corinthians 15:57 proclaim these timeless biblical truths and invite believers to reflect on and celebrate the message of this scripture.
Sermon Themes from This Passage
- Resurrection
- Praise
- Easter
- Victory
- Assurance
Suggested Hymns for Worship
Example Worship Flow
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1
Call to Worship Psalm 100
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2
Opening Hymn Christ Jesus Lay in Death's Strong Bands
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3
Scripture Reading 1 Corinthians 15:57
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4
Sermon Resurrection
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5
Response Hymn Conquering Now and Still to Conquer
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6
Reflection Hymn Abide with Me
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7
Closing Hymn O Brothers, Lift Your Voices
Hymns Inspired by This Passage
Awake, My Heart, with Gladness is the familiar English form of Paul Gerhardt's German Easter hymn Auf, auf, mein Herz, mit Freuden.
Christ Jesus Lay in Death's Strong Bands is Martin Luther's seven-stanza Easter hymn "Christ lag in Todesbanden" in an English version derived from Richard Massie's nineteenth-century translation.
Wesley’s Easter hymn is a concentrated act of resurrection praise.
Christ the Victorious is a modern Christian burial hymn in which the title’s language of victory is directed toward death rather than earthly conquest.
Conquering Now and Still to Conquer, commonly known as Victory Through Grace, is a vigorous gospel hymn about Christ's kingship and the believer's perseverance under his command.
Easter People, Raise Your Voices is a resurrection hymn that treats Easter not merely as an annual commemoration but as the defining identity of Christian life.
For All the Saints is a hymn of thanksgiving, perseverance, and Christian hope built around the biblical image of a “great cloud of witnesses.
This Christmas carol is John Mason Neale's 1853 English adaptation of the medieval In dulci jubilo tradition.
“Hymn of Promise” is a modern Christian hymn about hope that is present before it can be seen.
Low in the Grave He Lay is Robert Lowry’s 1874 resurrection gospel hymn, written with its own tune, CHRIST AROSE.
Majestic Sweetness Sits Enthroned is a hymn of adoration centered on the beauty, majesty, grace, and saving work of Jesus Christ.
O Brothers, Lift Your Voices is a Victorian mission hymn that begins in exuberant proclamation but ends in doxology.
Onward, Christian Soldiers is a Victorian processional hymn that uses the New Testament metaphor of Christian warfare to call the church to disciplined, united discipleship under Christ.
Praise the Lord! Ye Heavens Adore Him is a hymn of expansive, scriptural praise whose horizon stretches from angels, sun, moon, and stars to the gathered people of God.
This hymn presents praise as the fitting response to God’s work from creation to the fulfillment of Christian hope.
“The Strife Is O’er, the Battle Done” is an Easter hymn that proclaims Christ’s resurrection as the decisive victory of life over death.
Thine Be the Glory is an Easter hymn of resurrection victory, Christian assurance, and congregational praise.
Thine Be the Glory is an Easter hymn centered on the resurrection of Jesus Christ and the victory over death that Christians confess through it.
This Is the Feast of Victory is a modern biblical canticle created for congregational worship during the North American Lutheran liturgical renewal of the late twentieth century.
Victory in Jesus turns the gospel into testimony.
Welcome, Happy Morning is an Easter hymn in John Ellerton’s English translation of a Latin text by Venantius Fortunatus.
When We All Get to Heaven is a late nineteenth-century American gospel song of Christian hope.