This record is not a freestanding metrical hymn.
Hymns Based on Revelation 5:12
Christian hymns and worship songs connected to Revelation 5:12
"saying with a loud voice, “Worthy is the Lamb who has been killed to receive the power, wealth, wisdom, strength, honor, glory, and blessing!”"
— Revelation 5:12
Theological Significance
This verse has inspired Christian hymns that explore themes of Praise, Worship, Salvation, Atonement, Grace. Many worship songs connected to Revelation 5:12 proclaim these timeless biblical truths and invite believers to reflect on and celebrate the message of this scripture.
Sermon Themes from This Passage
- Praise
- Worship
- Salvation
- Atonement
- Grace
Suggested Hymns for Worship
Example Worship Flow
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1
Call to Worship Psalm 100
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2
Opening Hymn A Service of Word and Table IV, cont.
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3
Scripture Reading Revelation 5:12
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4
Sermon Praise
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5
Response Hymn Blessed Redeemer
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6
Reflection Hymn All Hail the Power of Jesus' Name
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7
Closing Hymn Ye Servants of God, Your Master Proclaim
Hymns Inspired by This Passage
All Hail the Power of Jesus’ Name is a hymn of public allegiance to the exalted Christ.
“Blessed Redeemer” is a gospel hymn centered on the crucifixion of Jesus and the redemptive meaning Christians confess in his death.
Canticle of Christ's Obedience is a responsive setting of Philippians 2:5–11 found in The United Methodist Hymnal (1989).
Canticle of God's Glory is the title given in The United Methodist Hymnal to the ancient Gloria in Excelsis, the great Christian doxology that begins by taking up the angels' song at the birth of Jesus.
“Come, Christians, Join to Sing” is a compact hymn of corporate praise whose simplicity is part of its design.
Crown Him with Many Crowns is a Victorian hymn of adoration centered on the crucified, risen, and reigning Christ.
Fairest Lord Jesus is a hymn of concentrated Christ-centered adoration.
Hail, Thou Once Despised Jesus is a hymn of Christ’s suffering, atoning death, heavenly intercession, and exalted glory.
Hark! Ten Thousand Harps and Voices is Thomas Kelly's hymn of praise to the exalted Christ.
Majesty, Worship His Majesty is Jack W.
This hymn is an extended act of adoration directed to Jesus Christ.
O for a Thousand Tongues to Sing begins in the inadequacy of one voice before the magnitude of Christ's grace.
O Savior, Precious Savior is a hymn of adoration in which personal love for Christ expands into the public confession of his saving work, divine fullness, glory, and kingship.
Praise Him! Praise Him! is an exuberant gospel hymn whose governing action is adoration of Jesus Christ.
Revive Us Again is a hymn in which praise becomes a prayer for renewed life.
See the Morning Sun Ascending is a twentieth-century hymn of morning praise by Methodist minister Charles Parkin.
“Shout to the Lord” is a contemporary worship song that moves from personal devotion to a vision of creation-wide praise.
“Sunrise,” known by its first line “When I shall come to the end of my way,” is a gospel song of Christian hope at the approach of death.
This Is the Feast of Victory is a modern biblical canticle created for congregational worship during the North American Lutheran liturgical renewal of the late twentieth century.
“To God Be the Glory” is a gospel hymn of praise whose center of gravity is what God has done in Jesus Christ.
“What Wondrous Love Is This” is an anonymous American folk hymn whose central response to the gospel is astonishment.
When Morning Gilds the Skies turns praise from an occasional religious act into the governing rhythm of Christian life.
Who Is He in Yonder Stall uses a sequence of short questions to lead singers through the identity and work of Jesus Christ.
Ye Servants of God, Your Master Proclaim is Charles Wesley’s 1744 hymn of public Christian witness, confidence in Christ’s reign, and corporate praise.
Ye Watchers and Ye Holy Ones is a hymn of universal praise written by John Athelstan Laurie Riley for The English Hymnal of 1906.